design

A lovely young woman that I work with is getting married,in December. I missed her bridal shower, because it occurred the same day as Open Studios. I worked with her on last Thursday, when she asked if I could make a table sign, that had to do with Santa and Reindeer, and the North Pole. I was honored.

I think I know the direction I am heading in, I have already drawn the design on the block and even started carving, the only nagging voice I hear is my own inner critic saying "remember she wants simple and elegant." So then it makes me unable to see my design, and whether it's those things.

It also makes me a little freaked to call it a design, maybe I have been watching too much Project Runway, or Tim Gunn's Guide to Style, and feel it's a design, honestly though it's a commissioned piece I am creating. So am also working with what she wants,not necessarily a print I would do,this isn't a gift.

Before you get worried dearest reader, I already gave her a gift. And she loves it.

So tomorrow I will go and carve the rest of the block, and fingers crossed, be able to pull a print to show her what it looks like.Then next week print it. Did I tell you her wedding was on December 23rd? Yeah, it is.

Am I stressed, not really. Just a little bit jumpy,but that passes, then I feel a little sure of myself.Which i much prefer feeling, sure and at peace, gives one a steady hand when carving.

So what I think I'll do is turn in, get some sleep, perhaps dream and look at this with new eyes tomorrow.

editioning

Recently, I read an article, I believe it was Art In America, and it was about how the importance of editioning a print, had fallen to the wayside. It didn't add any value to the print.

I've always looked at an edition as a goal to head for, there something exciting about knowing that 33/50, means it's the 33rd print out of 50. That you created a block, or an etching that you were able to print, 50 times, and all of the them theoretically the same. As a printmaker, I tend to be more successful with that with Relief prints, it's hard, once you know how, to f*ck up a relief print once you get going.

I keep a small notebook for the prints I've made, what year i made them, how big is the edition, is there a special little quirk to the plate, that i need to remember to keep the quality the same.
With my relief prints, there are often hatch marks, to keep track of the edition, a lot of my smaller blocks I make blank greeting cards out of, i don't print 100 cards in one shot, but i figure I will over the years, so i keep track.

Years ago when I first started open studios, I made lots of blank greeting cards, that would sell pretty well.
Inevitably I would have a happy Patron,come to me the next year, and tell me how they loved the card they bought from me, but they didn't use it as a card, they framed it, and it hangs in their house. At first, frankly I was pissed, I felt a little cheated, out of money due to me, if they had bought a print, it would have cost more then a mere 4x6 greeting card.
So one year I didn't make cards, did I sell more prints that year...No.
Did I get a little disappointed...Yes.

So after that I thought about it long and hard, and I let go of all that stupid disappointment, and I began to see what I did, in the printmaking world as a gift, to myself and others. If that meant someone could only afford one of my prints in card form then so be it. In other words I got over my big bad self.

So this year if you see me on Open studios, and all you can afford is a card. I'm happy to have helped you, buy yourself a really unique card, and I thank you.

blog, blog ,blog

So dear reader though, I posted last night's post a mere 5 minutes after midnight on Sunday, I am posting another Monday entry well to account for today,Monday. I'm on vacation this week from the job at the hospital. Every Veteran's Day weekend is the Holiday Open Studio for the whole building not just our studio, if it gets slow, I am sometimes lucky enough to see other artist's studio and see what goes on behind those closed doors.

Now you are probably wondering why I would need to take time off. It's mostly for all the prep work, well there's sorting out my prints, what's really good quality, and what will go in the seconds pile, usually these are prints, where i can see the registration is off, etc. i need to bag the prints, in these lovely Polypropylene sleeves, that not only protect but are archival too.Makes me have little fantasies about being found in some one's house of course posthumously, and becoming a famous printmaker.I need to figure out a price list, finish my job that volunteered to do for the studio, I make the name placards for each artist table.

Now that was the good part of my day, this was the bad part.I had my teeth cleaned today. A new hygienist, I understand her need to do a good job, but I swear she scaled me some new teeth.She was also one of those back handed compliment people. First she asked me if I flossed, I said " I do regularly, I use those little Glide flossers" where she proceeded to tell me that "using those are better, than using nothing" I guess she's an old skool kind of flosser, not one of those new fangled flosser users. And I got to hear once again, about my filling overhang, that will slowly cause my jaw to crumble to dust, if I'm not careful. I guess I'm not careful, because if I was I'd use the old fashioned floss and actually do a good job.Instead of being a plaque maven. ah well we can't all be perfect toothed, or maybe it's perfect gummed.

it's all about color

In my printmaking I tend to use a lot of color, though I like black and white,I just like colors more. I use oil based relief inks, which clean up, quite easily with plain old vegetable oil and Simple Green.
There are other inks by Akua Kolor, wonderful water based inks, but they take longer to dry, so they can smudge, if say you are printing blank greeting cards, which is what I have been doing over the last 2 weeks at the studio, in preparation for the upcoming Holiday open studios.
One of the many things I love about oil based inks , is there open time, the length of time they can be out of the can, and still workable,you can set out oil based inks, for hours, possibly days, though I've never had a marathon printing session, that had I needed to have my inks out for that long, but I have printed on one day, and come back the next day to print all over again, I will cover my blob of ink over with foil, or plastic wrap to keep, the lint off of it mostly,
when I print consecutive days in a row, it keeps it from forming a skin, which oils will do
after being exposed to the air for an extended period of time.
Which brings up how to get ink properly out of the can, you could gouge it out, but there leaves an open area in the ink that will harden, and cause a skin to form, and since you can only remove that skin before, you use it next, it's better if you control, how the skin forms, an easily removed even thin layer, or a big irregular booger shaped skin, that causes you to dig out of the can forming a deeper hole,and the creation of more ink snot, yes ink snot,I'm pretty sure it's a term I've coined, but anyone I've said it too, nods knowingly, and gets what I mean.If you remove the ink, with ink knife, that pretty much looks like a spackling blade, in a circular fashion,so the ink that is left in an even flat layer, and you use a skin paper on the exposed ink in the can before you put on the lid, you may have little or no ink skin to remove the next time you need to use it.
I so love the colors, how vibrant they are, and frankly I like the smell of them too, does that make me some printmaking freak, probably but I'll wear that badge proudly. damn it.
I really love how they dry to this lovely sheen, something that i think adds to the print.
Would I switch someday to strictly Aqua Kolors, someday maybe but I'd have to have my need to procrastinate under control, and print well in advance, so there will be plenty of time for the ink to dry,and that another story, on another day.

and so it begins....

drum roll, please.
NaBloPoMo officially begins, start your engines, ladies and gentlemen.
Now what to write about, how many days I'm into NaBloPoMo? Just kidding it won't be like that, only as a last resort...ha!
Today we'll start with my" other job", not a job you hate or dislike, but a fun one, and well they don't pay me, unless i sell something at open studios.
I have been a part time printmaker, for 5 years. I began with a class at my local art museum, on non toxic printmaking,I took more classes, bought inks, and paper, and eventually moved from a 3 hour class once a week, for 10 weeks to a studio, where artist went to make art. I definitely felt like a novice, and it took me a while, to get over my big bad self, to feel comfortable enough to call myself an artist. i didn't go to school for printmaking, that was the one semester, we didn't get as Nursing students.In real life I work as a Nurse, have been one for 23 years, so this printmaking I'm still very a novice at.
What I love about it,the steps you go through to pull a print, I'm just as attracted to those as I am making the print. I concentrate on etching, on copper, and relief prints, on wood or linoleum.
I'm big into color, though black definitely has a place in my printmaking I would say, color is a big driving force , also.
I use oil based relief and etching ink, with relief prints there is something about the sheen, of the ink after it dries, in etching the strength of the color, along with the lushness of the paper, Yes, that's right, you heard it, I am a paper whore, from those deceivingly translucent, but strong as steel Japanese papers, to the lush velvety papers made by the Italians, and the Germans, they are all equally wonderful, and luxurious to use.
Figuring out how to use these papers, are as much of the print as the actually plate, or block it's printed from, your paper should be used well enough so you have healthy,meaning big enough, clean borders, and square edges. One mistake printmakers, can make is by using a too small sheet of paper, your edges are too small and it minimizes any detail in the print.Though you maybe be printing from a small plate, you don't really notice that, because the paper is too damn small.
I seem to have gotten away from why I love printmaking, but I have a whole month to write about it, and I will.
So now, it's off to the studio for me, to pull some prints.I'll continue this subject tomorrow.