grace in small things::14/365

1. Jack-in-the-pulpit, rich green, and purple,punctuating the woods.

2.the scent of etching inks, carded onto warmed copper.

3.A steady palm wipe, that adds another layer, to the print I am making.

4.Seedless red grapes that burst upon toothsome bite into sweet, tart and juicy.

5.Fresh Spearmint tea, and sharing it with my studio-mates.

grace in small things::3/365

1.Loose leaf tea.

2.Daffodils that are blooming.

3.Watching the Starlings, build their nest under the roof of our back porch.

4.Spending the day at the studio, creating, contemplating art, and eventually pulling prints.

5.Watching the dog roll in the grass, then straighten herself up, to properly soak up the sunshine.

come take a look

I feel lucky , to have figured out, what really attracts my eye, as an artist, it's definitely the patterns in thing, those lovely repetitive colors or shapes, and if they occur around me even better.
I'm thankful, that I looked at it I didn't pass over any object, no matter how mundane. I found my pattern to look at, no matter where it occurred.

If you have never viewed anything on a PictoBrowser, you just click on the image to advance it, or rest your mouse in the bottom edge of the browser, and a thumbnail scrim will pop up.

artist statement

I've been able to call my self an artist, specifically a printmaker for the last 5 years.Today, my show opened at the gallery, at Zea Mays Printmaking.I'm showing alongside two other artists, who are also members of Zea Mays.
I'm supposed to write a small artist statement, about what my art is saying, or why I create it as such, the thought of this makes me queasy. I'm nervous that I won't be able to come up with any good words to describe what makes me tick, as an artist.

I remember printing at the studio for the first time, feeling like a novice, but not in a bad way. They had knowledge and experience behind their printmaking, and they were generous to share it.I absorbed it like a little sponge.Beside finding my style,I also got over my big bad self and realized, I am artist, and it's okay to utter the "a" word.In the past I had always , known I was artistic, but I am nurse, who took an occasional art class.Now, I am a printmaker, and a nurse.

So back to the initial statement, about the queasiness I get about writing about myself as an artist.How to describe, what inspires me to make an image. Nature inspires me, it's the repetitive patterns that occur out of necessity, not just because they look good.I find that awe inspiring for me. It's not just me that is  inspired this way, storytellers, are inspired by nature too. And that's the second part of it. I have been told by people, my prints remind them of folk art. I keep an eye out for everything , how people present images, how a kernel of that must works it's way into my visual memories. I draw a fish, it's part realistic, part fantastic, part Dr. Seuss. It's my version of a fish, and somewhere in that, is a memory of a feeling, that I present, how it makes me feel, which i hope make you feel something too.

Not sure if this can be considered an artist statement, but I consider it a first draft.
I think I will sleep on it, and consider this again tomorrow.

design

A lovely young woman that I work with is getting married,in December. I missed her bridal shower, because it occurred the same day as Open Studios. I worked with her on last Thursday, when she asked if I could make a table sign, that had to do with Santa and Reindeer, and the North Pole. I was honored.

I think I know the direction I am heading in, I have already drawn the design on the block and even started carving, the only nagging voice I hear is my own inner critic saying "remember she wants simple and elegant." So then it makes me unable to see my design, and whether it's those things.

It also makes me a little freaked to call it a design, maybe I have been watching too much Project Runway, or Tim Gunn's Guide to Style, and feel it's a design, honestly though it's a commissioned piece I am creating. So am also working with what she wants,not necessarily a print I would do,this isn't a gift.

Before you get worried dearest reader, I already gave her a gift. And she loves it.

So tomorrow I will go and carve the rest of the block, and fingers crossed, be able to pull a print to show her what it looks like.Then next week print it. Did I tell you her wedding was on December 23rd? Yeah, it is.

Am I stressed, not really. Just a little bit jumpy,but that passes, then I feel a little sure of myself.Which i much prefer feeling, sure and at peace, gives one a steady hand when carving.

So what I think I'll do is turn in, get some sleep, perhaps dream and look at this with new eyes tomorrow.

mind frame veg

The studio is set up, for the open house over the next 2 days, there will be lots of people walking through, wondering, how you achieved the print , that you did. Hopefully making a purchase or two.
I find it helps to have a wood block, or a copper etching out, so they can see what the transfer device is, mainly how you transferred the ink to the paper.

I'm trying something different this year, less clutter at my table, I used to spread my prints out, for people to see, , as much as you tried to keep it orderly, there was too much, they were over saturated, and really couldn't see it all.This year I'm feeding them smaller bites, hopefully they be able to savor them, instead of eating and running.

Another fairly annual thing, is the decompression, before open studio, chilling out, doing a pleasant but mindless activity, drinking plenty of water, and getting lots of sleep, so i can be charming, and able to say complete sentences.

I bought plenty of munchies, cheese, fruit, cherry, tomatoes, cookies that I like, hopefully everyone else will. Eating a regular lunch at open studio, is a like an exercise in futility, your better, to grab a handful, and run back to your table, there is always someone, wanting to buy something, as soon as you try to eat something, so it's better , if you can swallow it fast.

Well wish me luck, I have water to drink, and mindless TV to watch, before sleeping 8 hours.
good night.

it's all about color

In my printmaking I tend to use a lot of color, though I like black and white,I just like colors more. I use oil based relief inks, which clean up, quite easily with plain old vegetable oil and Simple Green.
There are other inks by Akua Kolor, wonderful water based inks, but they take longer to dry, so they can smudge, if say you are printing blank greeting cards, which is what I have been doing over the last 2 weeks at the studio, in preparation for the upcoming Holiday open studios.
One of the many things I love about oil based inks , is there open time, the length of time they can be out of the can, and still workable,you can set out oil based inks, for hours, possibly days, though I've never had a marathon printing session, that had I needed to have my inks out for that long, but I have printed on one day, and come back the next day to print all over again, I will cover my blob of ink over with foil, or plastic wrap to keep, the lint off of it mostly,
when I print consecutive days in a row, it keeps it from forming a skin, which oils will do
after being exposed to the air for an extended period of time.
Which brings up how to get ink properly out of the can, you could gouge it out, but there leaves an open area in the ink that will harden, and cause a skin to form, and since you can only remove that skin before, you use it next, it's better if you control, how the skin forms, an easily removed even thin layer, or a big irregular booger shaped skin, that causes you to dig out of the can forming a deeper hole,and the creation of more ink snot, yes ink snot,I'm pretty sure it's a term I've coined, but anyone I've said it too, nods knowingly, and gets what I mean.If you remove the ink, with ink knife, that pretty much looks like a spackling blade, in a circular fashion,so the ink that is left in an even flat layer, and you use a skin paper on the exposed ink in the can before you put on the lid, you may have little or no ink skin to remove the next time you need to use it.
I so love the colors, how vibrant they are, and frankly I like the smell of them too, does that make me some printmaking freak, probably but I'll wear that badge proudly. damn it.
I really love how they dry to this lovely sheen, something that i think adds to the print.
Would I switch someday to strictly Aqua Kolors, someday maybe but I'd have to have my need to procrastinate under control, and print well in advance, so there will be plenty of time for the ink to dry,and that another story, on another day.

and so it begins....

drum roll, please.
NaBloPoMo officially begins, start your engines, ladies and gentlemen.
Now what to write about, how many days I'm into NaBloPoMo? Just kidding it won't be like that, only as a last resort...ha!
Today we'll start with my" other job", not a job you hate or dislike, but a fun one, and well they don't pay me, unless i sell something at open studios.
I have been a part time printmaker, for 5 years. I began with a class at my local art museum, on non toxic printmaking,I took more classes, bought inks, and paper, and eventually moved from a 3 hour class once a week, for 10 weeks to a studio, where artist went to make art. I definitely felt like a novice, and it took me a while, to get over my big bad self, to feel comfortable enough to call myself an artist. i didn't go to school for printmaking, that was the one semester, we didn't get as Nursing students.In real life I work as a Nurse, have been one for 23 years, so this printmaking I'm still very a novice at.
What I love about it,the steps you go through to pull a print, I'm just as attracted to those as I am making the print. I concentrate on etching, on copper, and relief prints, on wood or linoleum.
I'm big into color, though black definitely has a place in my printmaking I would say, color is a big driving force , also.
I use oil based relief and etching ink, with relief prints there is something about the sheen, of the ink after it dries, in etching the strength of the color, along with the lushness of the paper, Yes, that's right, you heard it, I am a paper whore, from those deceivingly translucent, but strong as steel Japanese papers, to the lush velvety papers made by the Italians, and the Germans, they are all equally wonderful, and luxurious to use.
Figuring out how to use these papers, are as much of the print as the actually plate, or block it's printed from, your paper should be used well enough so you have healthy,meaning big enough, clean borders, and square edges. One mistake printmakers, can make is by using a too small sheet of paper, your edges are too small and it minimizes any detail in the print.Though you maybe be printing from a small plate, you don't really notice that, because the paper is too damn small.
I seem to have gotten away from why I love printmaking, but I have a whole month to write about it, and I will.
So now, it's off to the studio for me, to pull some prints.I'll continue this subject tomorrow.